Author(s): Taher Kaddar1
The landscape of research in fashion has blossomed over the last decades. A marked increase in academic debate and a burgeoning number of publications have begun to map the diversity, complexity, and breadth of fashion as simultaneously a major industry and a cultural medium, often dismissed as superficial and “merely” commerce. Fashion is by its complex nature multidisciplinary, comprising: design in both two and three dimensions, textile development, old and new technologies, crafts- man ship and artisan skills, business and production, marketing, promotion and consumption, global economics, material and visual culture, history, social anthropology, and so on.
